teachingliteracy:

onthestrand:
JONATHAN SAFRAN FOER | NEW NOVEL | 2014
Simon Prosser, Publishing Director of Hamish Hamilton, has acquired British and Commonwealth rights for Jonathan Safran Foer’s third novel, Escape from Children’s Hospital, the follow-up to the internationally-acclaimed, bestselling Everything is Illuminated and Extremely Loud and Incredibly Close.
 A fictionalised account of a life-changing event that happened to the author as a nine-year-old - an explosion in a summer camp science class, which left his best friend without skin on his face or hands, and whose brunt the author avoided by inches and for no good reason - this is a story about the shared trauma of childhood, the potential destructiveness of storytelling, and the redemptive power of friendship.  Weaving precariously between non-fiction and fiction, and existing at the intersection of different styles (suspense, memoir, imaginative storytelling), the book moves out from that moment in 1985 to the repercussions on the ever-expanding circle of those affected by it.
Explaining his ambition for the book, Jonathan Safran Foer writes: ‘What actually happened that day? What is a novel capable of? These are the two questions I have been living inside of, and I hope they will answer one another: my novel is what happened that day; and a truthful, experiential telling of that day is what the novel is capable of.’
Simon Prosser comments: ‘I couldn’t be more excited about a novel or about a writer - and I am thrilled that we are the first of Jonathan’s publishers to acquire this book.’
Picture by Sonja Kresowaty in homage to Gray318

teachingliteracy:

onthestrand:

JONATHAN SAFRAN FOER | NEW NOVEL | 2014

Simon Prosser, Publishing Director of Hamish Hamilton, has acquired British and Commonwealth rights for Jonathan Safran Foer’s third novel, Escape from Children’s Hospital, the follow-up to the internationally-acclaimed, bestselling Everything is Illuminated and Extremely Loud and Incredibly Close.

 A fictionalised account of a life-changing event that happened to the author as a nine-year-old - an explosion in a summer camp science class, which left his best friend without skin on his face or hands, and whose brunt the author avoided by inches and for no good reason - this is a story about the shared trauma of childhood, the potential destructiveness of storytelling, and the redemptive power of friendship.  Weaving precariously between non-fiction and fiction, and existing at the intersection of different styles (suspense, memoir, imaginative storytelling), the book moves out from that moment in 1985 to the repercussions on the ever-expanding circle of those affected by it.

Explaining his ambition for the book, Jonathan Safran Foer writes: ‘What actually happened that day? What is a novel capable of? These are the two questions I have been living inside of, and I hope they will answer one another: my novel is what happened that day; and a truthful, experiential telling of that day is what the novel is capable of.’

Simon Prosser comments: ‘I couldn’t be more excited about a novel or about a writer - and I am thrilled that we are the first of Jonathan’s publishers to acquire this book.’

Picture by Sonja Kresowaty in homage to Gray318

(via objectinmotion)

deathofastylist:

this is how people should aim to look, forever.

deathofastylist:

this is how people should aim to look, forever.

(Source: babesofvintage)

"Don’t talk yourself into not being you. At any time. You don’t have an excuse that works, when you say, ‘But I was nervous.’ That’s not you. That’s not how you got here. Yea, you can be nervous, it’s good for you, tunes you. But people want to see you. I don’t care what you do. When you’re good, then you bring ‘you’ out."

— Bill Cosby, 2007 Keynote Address at Carnegie Mellon University (via noodlesonmyears)

Tags: bill cosby

mirnah:

McQ by Alexander McQueen spring 2012 lookbook

Gone is the traditional English foundation, the tartan and lace; for spring 2012 McQ by Alexander McQueen is seemingly Texas bound.

Sarah Burton’s designs maintain their femininity through strictly cinched-in waists, as is customary, but this time she adds a 50s rockabilly meets Western flavour. Metal-tipped collars, ribbon neck ties, embroidery, and denim all play a part in this cowgirl scene, smashed together with modern touches like perforated leather – or metallic leathers that are licked with flames and look set for a Vegas stage. An unusual deviation from the British themes of McQueen, but one likely to prove popular for its tough-yet-feminine on trend elements.

(via loveforfashion)


“What I often see is that people are scared of fashion–because they’re frightened or insecure, so they put it down. On the whole, people who say demeaning things about our world, I think it’s because they feel in some way excluded or not part of the “cool group.” Just because you like to put on a beautiful Carolina Herrera dress or a pair of J Brand blue jeans instead of something basic from Kmart doesn’t mean you’re a dumb person. There is something about fashion that can make people very nervous.”
-Queen Wintour 

YEP.

“What I often see is that people are scared of fashion–because they’re frightened or insecure, so they put it down. On the whole, people who say demeaning things about our world, I think it’s because they feel in some way excluded or not part of the “cool group.” Just because you like to put on a beautiful Carolina Herrera dress or a pair of J Brand blue jeans instead of something basic from Kmart doesn’t mean you’re a dumb person. There is something about fashion that can make people very nervous.”

-Queen Wintour 

YEP.

(Source: howtotalktogirlsatparties, via nicoleloher)

dream team.

neonhallway:

Thread Installations by Anne Lindberg via but does it float

(via americanapparel)

scottlava:

“Then it goes to the big man. You go up the hole and dominate!” 

scottlava:

“Then it goes to the big man. You go up the hole and dominate!”